AnimationBoss.net
is available for sale
About AnimationBoss.net
A domain that formerly hosted the site of a blog dedicated to animation, gaming, and VFX.
Exclusively on Odys Marketplace
$10,330
What's included:
Domain name AnimationBoss.net
Become the new owner of the domain in less than 24 hours.
Complimentary Logo Design
Save time hiring a designer by using the existing high resolution original artwork, provided for free by Odys Global with your purchase.
Built-In SEO
Save tens of thousands of dollars and hundreds of hours of outreach by tapping into the existing authority backlink profile of the domain.
Free Ownership Transfer
Tech Expert Consulting
100% Secure Payments
Premium Aged Domain Value
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.1
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.2
Transfer it to your Registrar
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.3
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Download the available logos and brand assets and start building your dream website.
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spider-man-far-from-home-vfx
Method Studios was tapped to bring Spider-Man to life in the speedboat sequence where he rides with Nick Fury through the twisting Venice Canals. Method’s artists diligently completed full digital suit replacements for Spider-Man, working with an existing digital asset from Method’s work on the previous ‘Spider-Man: Homecoming.’ Animators paid special attention to sculpting out different muscle groups to make the contours of the suit pop in the dim moonlight sequence. The Method team also made subtle enhancements to the lighting, and to the background environment through digital matte paintings.
Framestore delivered 140 VFX shots in eight weeks for the movie. Framestore was in the unique position of being encouraged to come up with original and inventive ideas to show Mysterio’s menacing power play. VFX Supervisor Alexis Wajsbrot, who has previously worked on Marvel Studios’ Doctor Strange and Thor: Ragnarok, jumped at the chance to be creatively involved in the sequence. The team began by brainstorming references from other films, creating storyboards and then concept artwork to put Spider-Man in various unsettling situations.
Wajsbrot worked closely with Framestore Art Director Jonathan Opgenhaffen and a team of concept artists to demonstrate ideas. ‘It was a process to find the visual and aesthetic style’ notes Opgenhaffen, ‘but once we got there we were able to generate ideas and sequences, almost like an animatic, which the client could absorb and then came back to us with their thoughts.’ The team delivered ‘rapid prototypes’ to help communicate ideas with Janek and the team at Marvel Studios quickly for their feedback. ‘We used all kinds of tricks’ explains Alexis Wajsbrot, ‘we modelled as much as possible in 2D and using a 2.5d projection technique and as much stock footage as possible to turn around concepts efficiently.’